Archive for the Death Metal Category

Obtruncation: Abode of the Departed Souls

Posted in Death Metal with tags , , , , , , on December 22, 2014 by Badass and Grim

So for my first adventure into the B&G abyss we have the Holland based band Obtruncation with their offering ‘Abode of the Departed Souls’. Sounds like a cheery one then! So with a name that sounds like you’ve just detached yourself from your gentleman sausage, Obtruncation are the Death Metal flavour of kool-aid.

Time for a little history lesson about the band. Obtruncation was formed in 1989 in the Rotterdam area in Holland. Within no time they established a reputation among the fastest & most brutal bands of the underground death metal-scene. Early 1991, Lawrence Payne (Phlebotomized) joined OBTRUNCATION and added one of the most intense growling vocals ever heard. In 1999 the 12 track Obtruncation debut full length was released on a small Dutch underground label.

Right enough fannying about, let’s fire up the jukebox and see what devastation this baby can cause. Press play and boom, straight in. Hits you harder than your wife in that domestic abuse case. Well this is certainly Death Metal. Thick scooped down tuned guitars, bass that rumbles the very bowels of the earth, and enough blast beats to give war veterans shell shock all over again. The vocals have that Cannibal Corpse mix of low bowel curdling growls and higher screams like you’ve just stubbed your toe. The style reminds me of a mix of early Morbid Angel, Deicide and Death. Classic 90’s ferocity, and it works.

Forgiveness is not a word these fellas comprehend. Relentlessly punishing you with each song harder than the last time time you visited your favourite sex dungeon. The second half of the album is where it really grabs me. The songs open up a little more to include more groove which gives you something to attach to before it is dragged away. The contrast in changes in these latter song give them a greater sense of individuality, whilst the constant barrage and pace of the first few tracks makes them somewhat interchangeable.

Two stand out tracks for me are Slitting 16 and Callous Concept. Slitting 16 has a drudgy groove to the start which rears it’s ugly head throughout the rest of song to give you lifeline between barrages of blast beats and quick guitar lines. Callous Concept has the most memorable riffs of the album, with more melodic Death-esque single note lines.

Performance wise the band is as tight as a nun’s chuff and cohesive. You do get the occasional instance where the musicians fall ever so slightly behind the beat. The key part to take from that last sentence is that you can hear musicians. The record has the sound of people actually playing on it instead of some clinical cut and paste job. And hey, this shit is hard to play, so if at the end of each track I can envisage the band prolapsing through exhaustion then all the better for it.

The solos are exceptionally well played and sit as a nice embellishment to the rest of the track instead of being over indulgent fret wankery. These seem natural to the songs instead of being shoe horned in to defend the guitarists lack of manhood.

The production of Abode of the Departed Souls is definitely not big budget. More of a small or project studio, but hey times are tight. Whilst this is easily apparent in the mix, it does not distract from the songs themselves and it gives it that raw, aggressive, underground edge which actual suits the music style.

In an poor attempt at a conclusion to accredit my writing skills, I would have to say Obtruncation have overall produced a good, solid second album with Abode of the Departed Souls. Tight, cohesive and relentless. A fine example of the more visceral side of 90’s Death Metal. Whilst not genre defying, or jumping out and grabbing my attention as much as some modern bands, it does sit well among it’s peers of a higher stature. If I woke up hungover on a Christmas morn with this in my stocking would I be displeased? No. With every listen I pick out some new nuance so it’s definitely worth multiple listens. But hey, don’t take my word for it. Go out and sample it for yourselves. Make your own opinions. You’re a grown up now, just don’t make a mess.


Rating – 7.5/10


B and G Podcast – Episode 5

Posted in Badass and Grimness Podcast, Classic Metal, Death Metal, Hard Rock, Heavy Metal, Interview with tags , , , , , , , , , , on February 2, 2014 by Murderdeth

B and G Podcast – Episode 5

Greetings from Grim Towers!

This week features, Spreading the Disease by Anthrax and Into The Dark by Ancient Ascendant. Thanks also to this episodes guest Chris Kenny of Incinery.

Please remember to subscribe on iTunes and follow on Twitter. Other social networks are available, links can be found below!



Photo on 01-02-2014 at 19.34

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B and G Podcast – 2013 Album of the Year

Posted in Badass and Grimness Podcast, Black Metal, Blackened Death Metal, Death Metal, Doom, Folk Metal, Heavy Metal, Pagan Metal, Prog, Viking Metal with tags , , , , , , , , , , , , , , , , , , on January 2, 2014 by Murderdeth

Seasons Greetings,

Here we are, twelve months down the line since our First Annual Badass & Grimness: Album of the Year with the next fine instalment The Second Annual Badass & Grimness: Album of the Year!


In this years goodie bag we have: Tyr, Amon Amarth, Fen, Watain, Satyricon, Carcass, Sepultura, Windhand, Orphaned Land, and a few honourable mentions.

Please remember to subscribe on iTunes and follow on Twitter. Other social networks are available, links can be found below!




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Best of 2013

Posted in Badass and Grimness Podcast, Black Metal, Death Metal, Doom, Heavy Metal, Thrash, Viking Metal on December 20, 2013 by Badass and Grim

Best of 2013

Watch out assorted denizens of the internet, we’ll shortly be making our return, and first up is our Top 9 Metal Albums of 2013 show!

B and G Podcast – Viking Special

Posted in Badass and Grimness Podcast, Black Metal, Blackened Death Metal, Cake, Death Metal, Folk Metal, Heavy Metal, Pagan Metal, Prog, Viking Metal with tags , , , , , , , , , , , , , , , on August 14, 2013 by Murderdeth

B and G Podcast – Viking Special

From the Havamal –
Has too often
Been praised by poets.
The longer you drink
The less sense
Your mind makes of things.

That pretty much sums up the following.

It’s been a long, long time coming but here it is in its full, glorious 90 minutes….

“The Badass and Grimness Podcast, Viking Special.”

Featuring: Bathory, Amon Amarth, History Channel’s “Vikings”, Tyr, Wardruna and three progressively drunken idiots!

Not Featuring: Unleashed, Windir, Burzum, Arkenham and many others.

Thanks to JMG for joining us on this one. You can find him on twitter @jmgcreative.

Please remember to subscribe on iTunes and follow on Twitter. Other social networks are available, links can be found below!



Photo on 29-06-2013 at 22.07 #3

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Metal Eurovision 2013 – Part Two

Posted in Black Metal, Death Metal, Doom, Goregrind, Hardcore, Psychedelic, Sludge, Stoner, Thrash on June 18, 2013 by Badass and Grim


Tricifix – Monothist (death metal)

As with Eurovision tradition, some golden oldies are brought out when there’s no hope left to relive their wonder years. This bunch from Donegal formed in the late eighties, and the track is taken from their 1991 album Diurnal Decay. Mixing smoothly flowing bass lines with an intricate and thrashy approach to death metal, Tricifix are worthy additions to any early death collection.


Betzefer – Doomsday (groove metal)

From their 2011 album Freedom To The Slave Makers, this track nods to Betzefer’s influences of Pantera and late Sepultura while still maintaining an original sound. Proof that keeping it simple can be as effective as any uberwiddly solo, the chorus chant has a tendency to lodge in your head all day.


Murk – In The Kingdom Of The Dead (black metal)

From Florence in Tuscany, Murk bring a dissonant and haunting breed of BM. Vocals are a little too reminiscent of a comical Strepsils advert for my taste, though these improve as the song progresses. Guitar tone and tempo however are spot on. Taken from the 2007 album Unholy Presences.


Grondh – Bads (black metal)

Taken from their only album Necilvēks, not much has been heard of the band since 2011. The track hurtles in at a gallop rather than creating atmosphere, but the vocal style is commendable.


Dinozauras – Įpareigotas Maitoti (sludge/goregrind)

While seeming an unlikely genre, it’s certainly proof that in metal anything is possible if you hit things hard enough. Meaning ‘Obliged To Defile’ in Lithuanian, crushing drums and staggering riffs create a disgustingly brutal tone reminiscent of an explosion in an abattoir, and while the grind part is seemingly absent, the gore is definitely there. From their album Ecce Cruor!, released in 2012.

Macedonia (FYROM)

Furion – Queen Of Thieves (thrash)

Released in February of this year on their first full-length album Thrashing Folks, Furion have a solid style of thash that brings in elements of their native music with great effectiveness, seen best in the way the track boots back from an instrumental break into full headbanging glory. Even before this album release, Furion won a Battle Of The Bands contest and played at Wacken in 2009. Certainly one to get heads nodding.


Thy Legion – Sadism Through Holy Intervention (blackened death)

Playing at Chains’R’Us is certainly a good formula for a music video, but it helps if the music is good as well. These Maltese metallers certainly deliver, with machine-gun blast beats, effective vocals and catchy guitar riffs. Taken from Venerato Diaboli, released in 2010.


Caligo – Behold Ragnarok (one-man black metal)

Immortal-like vocals reside in tin-can style production quality, adding to the grimness of this great track from solo black metaller Caligo. Released in February of this year, it’s the second track off his demo album Residing In The Black Void, which also features a cover of Darkthrone’s ‘Skald Av Satans Sol’.


Zaimus – Under The Unholy Spells Of Night (black metal)

More black metal, this time with two members, Khamul and Asmodai. While relying quite heavily on just a few riffs throughout the majority of the track, the track has a pretty nice tempo to it, lyrics are pretty good, and programming adds something new, particularly at around five minutes in. Taken from their self-released EP of the same name.


Acid Deathtrip – The Aftermath (sludge/doom)

Wonderfully crushing sonic dystopia, complete with ’60s moustaches and boobs. A relatively new band, they released their first EP on the 18th of March this year. Describing themselves as ‘blasphemous boogie’ and ‘getting face-banged by nudist midgets under a pagan moon’ should give you some idea. One to watch!


Summon The Crows – Menneske (crust/death)

Renowned for its prowess at most other kinds of metal, it was hard to find something a bit different for Norway’s entry. Translating as ‘Human’, this track from crusty riff-jugglers Summon The Crows is short-lived but amazingly intricate. It is the penultimate track on their EP; since then they have made two more full length albums and a split with Deviated Instinct.

A close second came Dødfødt with ‘Krigen’.


The :Egocentrics – Mystic Initiation (psych/stoner)

A truly commendable effort, this song just builds and builds with some truly amazing tone. This stoner-psych behemoth is from their demo, and checking out their other releases is highly recommended for lovers of the overweight chub riff.


Камни (Kamni) – Bong of Satan (stoner/doom)

Taken from their 2010 EP, crushing riffs and some pretty awesome wah-pedalling make Kamni’s ‘Bong Of Satan’ a pretty damn good track. Vocals sound oddly like Ramesses pretending to be Phil Anselmo, but it fits the style they’ve created nicely.

San Marino

Nothing Inside Eyes – The Day Skies Fall On Earth (thrash/hardcore)

The ever-valued Encyclopaedia Metallum is often vital in searching for new bands, but unfortunately San Marino, a country of just over twenty-four square miles, turns up two results, both of whom had split up. One of those, Alchimia 2012, went on to create this band after departing, and the result is a pretty modern-sounding ‘core affair. Released in July of last year.


Putrid Blood – Kontraudar (thrash)

Meaning ‘Counterattack’ in Serbian, ‘Kontraudar’ has that rare quality of native-tongue songs that means once the words (or at least their approximate sounds) are learnt, it’s just as fun to chant along to as any other song. Even with Google Translates’ erratic guessing, the lyrical themes are pretty key to many other thrash tracks, and the riffs hammer them home well. Taken from their 2012 album Absolute Profit.


Somrak – Howls From The Devil (black metal)

Slovenian for ‘Twilight’ (though luckily no relation to a franchise of the same name), Somrak focus on Satanism and the occult as their inspiration, and between the four of the they’ve created some pretty good stuff, even if the vocals falter at times. Taken from the 2007 album The Abhorred Blessings.


Monkeypriest – Hanuman’s Dance (sludge/doom)

Breaking straight out with some Phurpa-style throat singing, ‘Hanuman’s Dance’ soon settles into a distinctly crushing plod, almost impossible to resist nodding along to. The opening track from their 2011 album, The Psalm, it sets both the pace and tone for the remaining six tracks brilliantly. It’s well worth listening to the album in one hit to get the full effect of it.


Soliloquium – Crossroads (doom/death)

From Sweden hail Soliloquium, a two-piece band from Stockholm. The band mixes atmospheric clean-sung passages with more brutal sections, similar to the style of Katatonia and October Tide, but still manages to remain unique and intriguing, using switches between both vocal styles and tempo to keep the listener’s interest peaked. Taken from their new album The Concept Of Escape.


Moonfrost – Cleanse (black metal)

With their name winning triple points in Black Metal Scrabble, Moonfrost bring this fantastically desolate track forth from the land of snowy peaks and traffic incursions. It has some brilliant instrumental parts at the beginning that lead back nicely to well-paced BM, but the piano sections at the end may lead some to turn it off early. From the album Starfall, released in December 2011.


Marauder – Atrophied King (thrash)

With a vocal sound akin to Australian thrashers Mortal Sin, this Kiev bunch throw themselves headlong into a superspeed thrash assault for just over two minutes. Short, but sweet. Taken from the single of the same name, which was released in February of this year.

Venus in Binbags

Dead Awaken – Where Hope Turns Dripping Red

Posted in Death Metal with tags , , on June 15, 2013 by Badass and Grim


First order of business, “Where Hope Turns Dripping Red” is a great name for a great Death Metal album. You know exactly what you’re getting involved in. Secondly, this cover art is awesome, the font and image look like a fan mod for The Ultimate Doom, Wolfensteining it up with a spawn in the middle of WW2 with commandos and those weird shit coloured Imp things hunting you down with a furious salvo of 16bit devastation.

I shit you not...

I shit you not…

This is a near perfect, no bullshit execution of the death metal sub-genre. Each and every track on this album is a lesson in the blood splattered art, flowing seamlessly through blast beat intensity to neckbreaking groovefests and machine gun tight rythm delivery. Particular stand out points as follows: “Kingdom of Damnation” adds a sparing yet complimentary use of D-Beat which creates a welcome rythmic shift from the 4:4 double kickdrum, and gives the latter more impact when it does kick back in. “Deutsches Afrika Corpse” sums up everythings that is great about this album in it’s first minute, (Killer Riff – Brutal Gut Destroying Blast – Wyldesque heapings of Pinched Harmonics – Unstoppable Groove Machine). “Rocket Symphony” is a well placed mid-tempo effort with slow march riffs providing some gnarly relief from the more fast paced songs flanking it. There is no compromise here with complacency and over indulgence, no filler; these songs are so dense with quality material its like a pepperami constructed from prime veel, Ingredients: 200% industrially condensed blindly shrieking taste sensation. This holds true as much for the album as a whole as for individual tracks, clocking in at around 34 minutes it never outlasts its welcome and holds up after repeataed plays.



I’m finding it difficult to find anything critical to say about this release, the mission statement seems to be to carpet bomb the aural tracts of anyone who happens to be in the sonic vacinity, and essentially what you’re left with is a decimated firestorm where your ossicles used to be. “Where Hope Turns Dripping Red” is a living corpse that will throttle you to death with its gore caked talons.